Had some Bill Lawrence blade style PUPs dropped in a Japanese strat copy in 1980. The guitar tech wired them in a Mitey Mite Scratchplate that used 3 x 3 on-off-on mini switches so that they were humbucker in one position, off in the middle, and single coil in the last position. This allowed for multiple in and out of phase sounds, neck and bridge on together both in and out of phase too, plus all 3 on together whilst mucking around with phasing. Unbelievable the number of sound combinations you could get. Even 35 years ago they were very clean, had a warmth across each setting but the best part was no dropouts whilst bending notes as there were no staggered pole pieces to worry about. No doubt they have only got better with time.