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Thread: Lyn #19 - Single Cut LP Jnr

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  1. #1
    Mentor robin's Avatar
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    Today I got the staining done.

    Running short on cash so I had to make do with whatever leftovers I had. I used a combination of Feast Watson Black Japan and some left over black stamp pad ink from a previous build, FW Jarrah and FW Golden Teak to do the burst.

    When I do bursts the blend lines are always a bit hit and miss, but I think it will do. Hopefully it will look a bit better when I start applying the finish.

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    I was going to use my usual finish of TruOil, and bring it to a high gloss, but I don't have enough left in the bottle to do the guitar. So I had a look around and found a rusty old tin of MinWax Satin Poly. So Satin Poly it will be.

    The tin is several years old and the MinWax has gotten quite thick so that when I did a test on some scrap pine it left ridge marks from the cotton application cloth. I tried thinning it with White Spirit and Shellite and I think that the White Spirit might be the way to go. It thinned it out quite nicely and had a good working life before it started drying out.

    In hindsight I think a Satin finish might suit this guitar. Well at least, that's what I'm telling myself.

    Cheers
    rob
    Last edited by robin; 02-12-2020 at 04:01 PM.

  2. #2
    Excellent looking burst Robin.


    Quote Originally Posted by robin View Post
    and some left over black stamp pad ink from a previous build
    Have you used stamp ink before?

    May be O.K. but I had dire consequences when mixed with Tru-Oil.

    cheers, Mark

  3. #3
    Mentor robin's Avatar
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    Quote Originally Posted by king casey View Post
    Excellent looking burst Robin.




    Have you used stamp ink before?

    May be O.K. but I had dire consequences when mixed with Tru-Oil.

    cheers, Mark
    Thanks Mark, yep, used it on a couple of builds so far, both with TO finishes. No probs. I have no idea if it is water or spirit based. I guess that might make a difference. I must have been lucky.

    rob

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