Ouch, that Marshall has cost you a bit.
Explains why I have gone with combos these days as much cheaper, lighter, and generally easier to control the sound levels too.
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Ouch, that Marshall has cost you a bit.
Explains why I have gone with combos these days as much cheaper, lighter, and generally easier to control the sound levels too.
But the thing was, at the time I decided I really needed to spend the money to get some decent gigging gear because I was feeling fed-up with having to make do with cheap and nasty gear, and I wanted to take things to the next level and get a bit more serious about being a musician, so I felt fine about spending more cash, I'm glad I did cause I think my Marshall turned out to be a good gigging amp once it had been fixed so it was more reliable, there's nothing worse than going onstage to play a gig and the amp pops a fuse, or breaks-down before you've even played your first song, it's even worse if the amp dies just before, or in the middle of that epic guitar solo you've been rehearsing for weeks, without any warning.
This is it atm. Plus my other guitars.
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Love that cabinet Dedman!
Here is a shot of a wall of Lenard amps, mine had two of these quad boxes which are quite a bit bigger than the Marshall ones
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The Lenard was replaced by a 100W Dan Armstrong
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And then an H||H IC100-S, I still have the amp but the Marshall quad box is long gone ( shatteringly loud )
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Today apart from the H||H in the previous post I have
Laney Linebacker 30R ( 80W version in this pic but looks the same )
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Peavey Rage 158
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Fender Mustang 1 V1 ( with added output jack for 4x10 quad box )
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Yep Marc Bolan used one, mine was given a refresh last year still bloody loud and clean to the point where your ears break up.
Depending on what happens with the band over the next 6 months I may put it up for sale because it's simply got too much grunt if we are only recording and not gigging