Hi Everyone,
The good PBG Forum Doctor is back with yet another one of his new threads, this time it's about a pedal I bought last year, it has rapidly become one of my all time favorite pedals, it is my Tonebone Hot British Distortion pedal made by a Canadian company called Radial.
Okay so what's so special about this pedal that's made it become one of my all time favorites?, well, this pedal features a real 12AX7 Dual Triode Valve as part of it's internal circuitry, but the thing is, rather than use the 12AX7 as a typical gain-stage, it uses the 12AX7 in a way that actually doesn't contribute any gain per se, think of the Tonebone Hot British pedal as being like the preamp of a really good modded Marshall Valve Amp in a pedal-sized box, together with some extra tone-shaping circuitry in it, you can get lots of great Marshall tones out of it depending on how you set the controls and switches, I think this is useful in a recording situation, and I have managed to get some great tones with the pedal going straight into my Digi002 Firewire Audio Interface, all I needed to add were two or three VST plugins in FL Studio and I got some cool sounds, the plugins I tend to use most are Ignite Amps NadIR (Impulse Response Speaker Cab Simulator), Fruity delay 2, and some kind of Reverb VST plugin, of course, those of you who are Mac users should be able to get similar results with Mac compatible plugins.
Here's what my Radial Tonebone Hot British pedal looks like:
As you can see, it has quite an array of controls for a Distortion pedal, looking at the top panel, we have the following controls:
* Level Pretty self-explanatory, it controls the overall loudness.
* High Controls the Treble frequencies.
* Low Controls the Low Frequencies.
* Contour Sweepable Mid Frequency Control.
* Drive Controls the amount of gain, or distortion.
Right underneath the control knobs, there's a set of three 3-position slide-switches:
* Top End This basically acts on the high frequencies, and can be switched to either a Bright, Flat, or Dark setting.
* Voicing This acts on the Mid Frequencies, and can be switched to either a boosted Low Mid setting, a scooped mid setting, or a flat setting.
* Mid Boost This acts on the Mid Frequencies, and can be set to give 0dB boost, +7dB boost, or +12dB boost.
The pedal itself is powered by a 15V DC/400mA plugpack adaptor.