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Thread: YB-4 'Bad Girl'

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  1. #1
    Glue the pattern to the liquid paper.

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    Tape up the area with some extra wood to provide a more stable base. The tape protects the headstock and also matches the level of the taped up area with the height pattern and liquid paper.

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    Dremel with fine downcut router bit and aquarium air pump. I'd like a bit more air flow but it's enough.

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    A good light source and magnifying headset really helps with the routing. The result isn't perfect, but good enough.

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    Pattern peeled and liquid paper scraped.

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    cont.
    Scott.

  2. #2
    All sanded up.

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    The stock nut and end of the fretboard looked a bit dodgy and needed some attention. Not just due to a malformed nut face.

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    The nut is hollow for a start, as expected, but shelf has been cut at an angle and the end of the fretboard is actually curved and needed to be tweaked. Had to double-check with a fret calculator to ensure the 1st fret distance was correct, it was except for the bulging curve upsetting the nut.

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    It took some time but I eventually got it cleaned up as best I could without cutting the nut shelf any deeper on the bass side.


    cont.
    Scott.

  3. #3
    My plan was always to stain the fretboard black, not necessarily super black but certainly darker and with a more even colouring on the grain. It's an unbound neck so no barrier between the rosewood fretboard and the nice clean light maple… which made me very wary of stain bleed/creep.

    I was planning on two stain coats so as a test I masked up halfway along the fretboard edge so I could gauge the bleed potential of the stain and how well the tape would work for protection.

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    Fiebings oil based dye, it seems to stain pretty much anything it touches… wear gloves and don't get it on anything you don't want black. I apply it just using a cotton tip, works well for fretboards.

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    1st coat on.

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    cont.
    Last edited by WeirdBits; 07-02-2017 at 09:46 AM.
    Scott.

  4. #4
    Time for some inlay 2.

    DB, avert your eyes…

    I'm going to use black epoxy for the inlay. I know it's condemned by some, but I've never tried it on an actual build. I did some tests on scrap wood a few years ago and that's still intact and looks ok so I wanted to give it a try on at least one build.

    I had already masked up the headstock as part of the fretboard black prep.

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    Yes, I know, Araldite but it's what I had on hand. And, the very potent stain powder.

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    Only a tiny amount of stain needed, this is actually a touch too much, sitting on top of the resin component. Mix thoroughly, then add the hardener and mix again.

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    Quickly scoop and spread the epoxy into the inlay rout, be very careful of air bubbles as if you take too long they'll be trapped in the mix. You need to mound the epoxy over the rout as it contracts as it hardens. If you try to fill it just flat with the surface the inlay will end up dipped/recessed and will need re-applying.

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    cont.
    Scott.

  5. #5
    After a few minutes, remove the tape before the epoxy hardens too much. Even though it's listed as '24hrs' it can take 5 days to a week until it's thoroughly hardened all through the fill. Don't rush it. I usually apply any left-over epoxy in a similar hole on a bit of scrap and that becomes my test piece for hardness. If I can mark it with a fingernail then it needs more time.

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    After another 5 days drying and light steel wool, I applied the 3rd and final coat of Dark Tease to the body.

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    cont.
    Scott.

  6. #6
    Again, my favourite, the top edge of the body.

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    The main tear mark on the back is still pretty visible, but that's not surprising.

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    Scott.

  7. #7
    Mentor ozzbike's Avatar
    Join Date
    Aug 2014
    Location
    Sunshine Coast, Queensland
    Posts
    1,109
    What a great build. I have read every step. Thank you for sharing. More more more. 😎

  8. #8
    Overlord of Music andrewdosborne's Avatar
    Join Date
    May 2014
    Location
    Sydney, NSW
    Posts
    2,751
    Great thread Weirdy and an awesome read. Bass is looking really nice. Some great tips here and thanks for sharing in such detail.

    Sent from Lineage OS 14.1
    Current Projects
    #Planning 5 String Bass

  9. #9
    Mentor Zandit75's Avatar
    Join Date
    May 2016
    Location
    Penguin, Tasmania
    Posts
    1,617
    Damn! Information and photo overload!!
    This looks awesome Weirdy!
    Acoustics:
    1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup
    2015 Ibanez AEL108MD-NT - Laminated Spruce top, Laminated Mahogany B&S, Fishman Sonicore Pickup


    Electrics:
    Pitbull LP-1S - http://www.buildyourownguitar.com.au...ead.php?t=5745
    Carsen Superstrat Rebuild - http://www.buildyourownguitar.com.au...ead.php?t=6284

    Builds in Progress:
    Silent Guitar Semi-Scratch Build - http://www.buildyourownguitar.com.au...ead.php?t=6809

  10. #10
    Mentor
    Join Date
    Jan 2013
    Location
    Talawa, Tasmania
    Posts
    1,173
    This is a fantastic thread and the results are very inspiring!
    "Music is in the air; it's my job to pull it out."- Jaco Pastorius

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