High and low pass EQ is a great tool for increasing headroom, use it to get rid of unwanted frequencies that are outside the range of whatever you are recording.
For bass I cut at 40 and about 1500 Hz, guitar and voice obviously move up the frequency range, also keep individual between the same boundaries.
Let your ears be the final judge don't just listen with your eyes
The line in my post keep individual between the same boundaries refers to individual track compression, obviously had a brain f4rt while typing on the phone which for some reason I can't edit a post on.
Best to level your track volume by automation before applying comp and EQ in that order, others may prefer a different approach but this is my approach.
If required for vocals I always do pitch correction before applying any other VST and tight harmonies get aligned before pitch correction.
Once again YMMV
You can also vary the position of the mic relative to the speaker in the guitar amp to adjust the tone you get prior to applying any eq, a standard studio technique for micing a guitar amp cab, a small change in mic placement can have a big effect on the tone.
What amp are you using FW?
Build #1 - ST-1 - Completed
Build #2 - LP-1SS - Completed
Build #3 - TLA-1R - Completed
Build #4 - SGD-612 - Completed
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Build #6 - STA-1HT | Completed
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a <cough, cough> um Roland micro cube.![]()
FrankenLab
Hand crafting guitars, because Death Rays are expensive.