You could always give the back of the neck a light sand or rub-down with some wire wool. Should make it feel smooth and you'll get less reflections.
You could always give the back of the neck a light sand or rub-down with some wire wool. Should make it feel smooth and you'll get less reflections.
We'll see. We have overhead lights in the practice space (which, being a TV guy, I hate), but venues usually have cans on flood and maybe some fills in the back. So I doubt I'll have the same problem.
very very nice Rev, starting on mine today![]()
Build 19 PSH-1 Kustom
Build 18 HB-4S Kustom
Build 17 WL-1 Kustom
Build 16 TL-1TB Kustom
Build 15 PBG-2-
Build 14 FTD-1
Build 13 RD-1 Kustom
Build 12 DM-1S
Build 11 MKA-2 -
Build 10 Basic strat
Build 9 JM Kustom
Build 8 FV-1G
Build 7 ES-2V
Build 6- Community prototype
Build 5 LP-1LQ
Build 4 ES-5V
Build 3 JR-1
Build 2 GD-1
Build 1 TLA-1
looks great Rev, how does it sound and play ? Don't stress about the paint job, takes years of practice and expensive equipment and paint booth to get a smick paint job
Current Builds and status
scratch end grain pine tele - first clear coat on !
JBA-4 - assembled - final tweaks
Telemonster double scale tele - finish tobacco burst on body and sand neck
Completed builds
scratch oak.rose gum Jazzmaster - assembled needs setup
MK-2 Mosrite - assembled - play in
Ash tele with Baritone neck - neck pup wiring tweaks and play in
Well, to be exact, the paint work I did turned out pretty nice. My buffing leaves something to be desired though - I thought I did a pretty good job at the time, but the polish isnt quite as glossy as it should be. But thats less noticeable with a bright color, so I've got no plans to attempt going over it again.
Otherwise, once I worked on the neck and bridge setup a little more, it became nicely playable. The pickups are weak and somewhat dull sounding, but boosting my overdrive a little harder than normal helped somewhat in that area. Enough for live work anyway. Ill probably still drop something with more power into the bridge pickup slot. Its not imperative at the moment, just something I should check into down the road and see if its an improvement.
Good see it finally finished. Know what you mean about weak stock kit PUP's but any better would push kit prices out of reach for some folk plus it allows for some personalised customisation.
# 1 - EX-5 https://goo.gl/fQJMqh
# 2 - EX-1 https://goo.gl/KSY9W9
# 3 - Non PBG Tele https://goo.gl/W14G5g
# 4 - Non PBG J Bass https://goo.gl/FbBaFy
# 5 - TL-1AR GOTM Aug 2017 https://goo.gl/sUh14s
# 6 - MMB-4 Runner-up GOTM Oct 2018https://goo.gl/gvrPkp
# 7 - ES-1 Runner-up GOTM Aug 2018https://goo.gl/T9BEY8
The funny thing, Waz, is that my fussy bandmates actually like the sound of the neck minihum a LOT. Though it has its limits, theres a warmth to it that mixes well in a live situation. Theres a couple of tracks in our set that it doesnt perform well on, but I always have two guitars with me at a show anyway. Hardly an inconvenience to switch out here and there.![]()
BTW, I found a really good deal on a used DiMarzio SDS1 and put that in at the bridge. Its a darker-sounding pickup, but it allows just enough of a power boost that I can switch it on for those moments when I need the extra gain.
The Dimarzio was probably all it needed to get rid of the whimpiness.
# 1 - EX-5 https://goo.gl/fQJMqh
# 2 - EX-1 https://goo.gl/KSY9W9
# 3 - Non PBG Tele https://goo.gl/W14G5g
# 4 - Non PBG J Bass https://goo.gl/FbBaFy
# 5 - TL-1AR GOTM Aug 2017 https://goo.gl/sUh14s
# 6 - MMB-4 Runner-up GOTM Oct 2018https://goo.gl/gvrPkp
# 7 - ES-1 Runner-up GOTM Aug 2018https://goo.gl/T9BEY8