Mm voodoo mojo maybe. Although super dry aged timbers on old violins and cellos sound great, so perhaps it is a way of pushing the process along, dunno.
A bit like the cryogenic process of treating metal parts to align all the mystical bits, dunno.
I am guessing any side by side comparisons would be difficult to detect. Plus there are so many variables at play, I find it hard to believe any one variable to that degree does a lot.
In the end tone is subjective, who really knows what good tone is, in fact the word tone is not a good way to describe a particular guitar sound.
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