Hi folks!
This post will be an objective diary of how it pans out from purchase to finish.
Ive unboxed my Xmas present and looks like a really unique and exciting project... should satisfy some tuning and recording needs as well as being interesting to play.
I'm guessing any help/issues with build will be best posted in other areas of the forum is that the way to go?
I tend to get messy though so the issues will likely crossover into this thread.
Has anyone else here taken on this model?
Here's info from my unboxing/inspection:
Firstly, I'm really impressed with the veneer and the styling, I don't think I could expect a better looking guitar.
I would be keen to do a couple of minor modifications to the shaping at the neck joint and cutaway areas but I really like it. Its unique and compact and the woods appear to be amazing quality.
As for the styling i honestly don't know what this compares to but its really cool.
In regards to design I found these things a bit odd:
• until I unboxed it I didn't realise but the routing of the PUPs and neck lies above the centreline of the body(much closer to the upper horn) This takes some getting used to but I'm ok with it. I'm assuming the 7string version has a more centred layout and this is a variation of that template.
• the partial removal of binding in the cutaways seems like a challenge to apply finish to.
• the fretboard ends at a slightly odd angle to the neck PUP. I'm ok with this, it makes sense with the layout.
• I think I've read this about several PBG designs, again I'm ok with this layout - but I would prefer to see the bridge PUP routing right up close to the bridge, as it is with most guitars. I'm assuming this would produce the tightest and most "treble" of tones possible.
There's a couple of things about the test fit I'm not confident about:
• the neck pocket seems way too loose. It almost appears as if the routing was done slightly off because of the arch top. I can fit a 0.8mm pick down one side of the neck. I am seeking advice on how to deal with this(or if it can even be dealt with?)
• the neck appears to sit too high-ie. it lifts the fret board too high above the body, otherwise it appears the bridge is too low, unless the saddles are jacked way up on an angle. I dont think I'll be able to actually test this until things are fitted like the bridge is fastened down, strings fitted etc. Neck bow adjusted.
• again the neck heel appears to sit high in the pocket-so as to loose the clearance underneath the neck PUP. But as above I can't really test this yet. I don't know if any material can be safely removed from the bottom of a neck heel without affecting alignment in other ways.
As for defects:
• there's one that looks easy to deal with - a tiny tear out in the veneer at the neck joint. No problem.
• the one that I may not be able to handle - the fretboard has a gouge across quite a few fret positions and it's in a prominent position.
Excited to get started and hoping that these issues can be solved asap!