Page 4 of 6 FirstFirst ... 2 3 4 5 6 LastLast
Results 31 to 40 of 51

Thread: Fixing a dirty finish

  1. #31
    Moderator dingobass's Avatar
    Join Date
    Sep 2012
    Location
    Perth
    Posts
    4,491
    Quote Originally Posted by andrew View Post
    Yeah 2k is nasty and I will never use the gear again. And I hear Nitro is just as bad for you. There has to be something else.
    The only things I have found that wont kill you are DT, shellac and wax finishes...

    There is always a workaround for glitches, mistakes and other Guitar building gremlins.....

  2. #32
    Banned bargeloobs's Avatar
    Join Date
    Mar 2014
    Posts
    1,700
    Quote Originally Posted by dingobass View Post
    The only things I have found that wont kill you are DT, shellac and wax finishes...
    I've been tempted to try DT, it smells so good!

    JK

  3. #33
    Awesome to hear shellac is a go. Still hanging to get the new 7 to use my blue dt but it's also nice to have a few options for custom builds down the track. Thanks dB.

  4. #34
    Overlord of Music keloooe's Avatar
    Join Date
    Jan 2013
    Location
    Melbourne
    Posts
    3,162
    I'm also keen to use DT on the LP.... That would be very cool to do a DT triple burst!

  5. #35
    Moderator dingobass's Avatar
    Join Date
    Sep 2012
    Location
    Perth
    Posts
    4,491
    Quote Originally Posted by andrewdosborne View Post
    Greg Koch (Fender Roadshow) made a comment in regards to all the 'F' custom shop guitars he tests. He suggested he had a general dislike for reliced guitars, however as they have less finish (nitro) on them their tone was far superior to a 'standard' finished axe.

    I recently rebuilt a mim tele that was covered in that awful poly finish. Sounded like a dead squid. I refinished in Wudtone and about 3 layers of top coat - it now sounds totally awesome (with no fuzz effect !)
    Yep, its all about less finish is best...
    BTW, I absolutley detest those rip off relic things that F are foisting on folk... I mean, who in thier right mind is going to pay 38k for a 5150 Frankenstrat copy?

    There is always a workaround for glitches, mistakes and other Guitar building gremlins.....

  6. #36
    Overlord of Music keloooe's Avatar
    Join Date
    Jan 2013
    Location
    Melbourne
    Posts
    3,162
    $37k is in the name

  7. #37
    Bit rich. I've got a chisel and an old ibanez begging for a paint job. Bet I could do it for cheaper than that.

  8. #38
    Moderator dingobass's Avatar
    Join Date
    Sep 2012
    Location
    Perth
    Posts
    4,491
    Quote Originally Posted by bargeloobs View Post
    I agree, a little goes a long way, but to say "when players use the fuzz pedal tone is not even in the equation"...nope, you should retract that immediately;-)
    Notice I said players, not Guitarists.... Massive difference

    There is always a workaround for glitches, mistakes and other Guitar building gremlins.....

  9. #39
    Banned bargeloobs's Avatar
    Join Date
    Mar 2014
    Posts
    1,700
    Quote Originally Posted by dingobass View Post
    I mean, who in thier right mind is going to pay 38k for a 5150 Frankenstrat copy?
    Hahaha Probably lots of idiots with too much money. People buy Lamborghini's...

  10. #40
    Banned bargeloobs's Avatar
    Join Date
    Mar 2014
    Posts
    1,700
    Quote Originally Posted by dingobass View Post
    Notice I said players, not Guitarists.... Massive difference
    Hey hey, don't go all politician on me;-)

Page 4 of 6 FirstFirst ... 2 3 4 5 6 LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •