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Thread: ColorTone Cherry Finish?

  1. #11
    GAStronomist Simon Barden's Avatar
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    I'd prefer to assume it will, rather than it won't. Raised grain can be dealt with, it really isn't much of a problem, but stained cracked binding is a lot harder, and painting it really is about the only solution that I found worked.

  2. #12
    Overlord of Music McCreed's Avatar
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    Also, the ES-1 binding is thicker white/black/white black layered binding, whilst McCreed's PRS-style binding looks to be a much thinner single ply binding, so was probably far more flexible and went on without any major/deep stress cracks when bent.
    That is a good point and reasonable consideration. It would be an interesting experiment if one had some scraps of the different bindings.

    ...and painting it really is about the only solution that I found worked.
    Probably sounds crazy, but have you ever tried bleach on a cotton bud? (cotton swab)
    I have no idea if it would react poorly on the plastic, but maybe not.
    Making the world a better place; one guitar at a time...

  3. #13

  4. #14
    Some really good knowledge and advice in this thread, thank you all.

    Quote Originally Posted by McCreed View Post
    I used Cherry ColorTone on the ash Tele in the pic below, however the supplier I bought it from sold it "pre-diluted" (my mistake) and it was too light to give the depth I wanted
    Are you saying I shouldn't purchase something pre-diluted? Like this:
    https://www.ebay.com.au/itm/ColorTon...-/132129688971

  5. #15
    Member GregLane's Avatar
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    I agree with McCreed
    I think the prediluted is already at the 30:1. That ratio is suggested in the StewMac doco.
    I have found it too light and use about 15:1(metho). I used 8:1 and 1:1 covering trying to cover glue marks and scratches on my ES.
    You could use lots of coats at 30:1 but I have been unable to achieve my required depth of colour.
    It is expensive but "she who must be obeyed" will tell you to stop building guitars before you use a bottle.
    I think TransTint is the same as ColorTone with emphasis on the "think".
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  6. #16
    GAStronomist Simon Barden's Avatar
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    Pre-diluting to that extent is an easy way for the seller to maximise their profit by simply adding water, and without a detailed chemical analysis it would be impossible to say whether it was a true 30:1 mix (actually the normal 1oz to 1 quart would be a 32:1 mix), and may well be diluted a lot more in reality. StuMac don't give duff advice, so the standard mix should be fine for obtaining a good stained finish.

    But what works well on light wood won't be as effective on a darker wood, so I'd always look to buy something more concentrated that can be mixed as necessary to suit the situation.

  7. #17
    Overlord of Music McCreed's Avatar
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    Quote Originally Posted by glenwilliam View Post
    Some really good knowledge and advice in this thread, thank you all.



    Are you saying I shouldn't purchase something pre-diluted? Like this:
    https://www.ebay.com.au/itm/ColorTon...-/132129688971
    That is the Seller I bought it from. I wouldn't buy from him again.
    Making the world a better place; one guitar at a time...

  8. #18
    Quote Originally Posted by McCreed View Post
    That is the Seller I bought it from. I wouldn't buy from him again.
    Funnily enough I bought the same one from the same vendor, and I didn't have any issue with it on the HB-4, it came up the colour I was after. I think I'd probably have preferred it if what was being sold was the strain and not premixed... I kinda like the control of mixing myself and choosing what carrier to dilute it in. The problem with stain is once you get to a certain point, the colour doesn't deepen no matter how many coats you put on, unless you mix up some more with a more concentrated dilution. kinda a shame it isn't more like a candy.

  9. #19
    Overlord of Music McCreed's Avatar
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    I'll also add that when I switched to the U-Beaut timber dye (also water based) I used it undiluted to achieve the result you see on that TLA. U-Beaut has a 7-colour kit that cost me $39 (7 x 50ml bottles) I used less than 25ml to do that body.

    Not sure what part of Brissie you're in, but there is a Woodturners Supply shop at The Gap. That's where I got mine.
    They are truly old school and their website is horrible, but they're a nice old couple that run it.
    Making the world a better place; one guitar at a time...

  10. #20
    Quote Originally Posted by McCreed View Post
    I'll also add that when I switched to the U-Beaut timber dye (also water based) I used it undiluted to achieve the result you see on that TLA. U-Beaut has a 7-colour kit that cost me $39 (7 x 50ml bottles) I used less than 25ml to do that body.

    Not sure what part of Brissie you're in, but there is a Woodturners Supply shop at The Gap. That's where I got mine.
    They are truly old school and their website is horrible, but they're a nice old couple that run it.
    Thanks for the tip! I do like the colour of your TLA - not as bright as the ColorTone cherry so maybe I can achieve that more vintage-look with the U-beaut dyes.. either way, worth the investment to check them out for that price. I'm in Coorparoo so will venture north!

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