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Thread: Fretboard on the Multi-Scale kits

  1. #1

    Fretboard on the Multi-Scale kits

    Hey Folks,

    Our new Multi-Scale 7 string kits have been incredibly popular and we are pretty much sold-out after a month or so.

    We are working on 6 string and 4 and 5 string Multi-scale Bass Kits for next year.

    One comment we received, as feedback from only 2 customers, was that the end of the Fretboard (at the Headstock) looked kind of brutal.... that is, it just ended at a 90 degree angle.

    Here is an image: Name:  GMS-7-fretboard-end.jpg
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    Not that you can see it that well, but the Fretboard stops square and straight.

    I wanted to ask the experts here, how we could instruct the factory to make this more aesthetically pleasing?

    That is, should the end of the fretboard be "shaved" so it tapers at a 45 (or less) degree angle?

    Are you not bothered by the sharp cut-off of the fretboard?

    What other solutions do you have to make this fretboard end look more aesthetically pleasing?

    Very keen for your feedback
    Cheers,

    Adam



    adamboyle(at)pitbullguitars.com

  2. #2
    Maybe it would look less strange with a square nut and an angled zero fret?

  3. #3
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    I'd say dock the fretboard just behind the nut, or do a Gibson style nut so that the fretboard ends at the nut. Is it possible to shuffle the fretboard back toward the head so that the angled nut passes over the truss rod hole at the right spot and the low string sits back a touch closer to the headstock and the high string has a touch more neck between the headstock and the fingerboard?

  4. #4
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    Quick and really dirty:



    Fretboard angled to match the nut

    Neck was a little too long and funny looking with the fretboard angled so I moved the headstock up something like half or 3/4 of a cm.
    1. GS-2Q
    2. EXM-1 custom
    3. GMS-7F

  5. #5
    Overlord of Music Sonic Mountain's Avatar
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    I'd say that any of the suggestions here that involve changing the templates wholesale are not going to fly. I think Chaosblades is the best aesthetic solution, but he notes he had to change the relative position of the headstock to achieve it. That would require reworking of the templates being used, which can be a tricky thing to get across/explain.

    Rabbit's suggestion might work Ok with what they already have to work with. But even then there will be a funny bit of non-fret area between the zero and the nut.

    I think if it was chamfered rather than a hard end on the board that would help make it look a little more cohesive.
    Build 1 - Shoegazer MK1 JMA-1
    Build 2 - The Relliecaster TL-1
    Build 3 - The Black Cherry SG AG-1
    Build 4 - The Sonicaster TL-1ish
    Build 5 - The Steampunker Bass YB-4
    Build 6 - The Howling Gowing ST-1

    "What I lack in talent I make up for with enthusiasm"

  6. #6
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    This is what it looked like before I moved the headstock. Was going to post originally this but thought it looked funny and edited a little more.



    But, of course, that still moves up the truss rod and access since the end of the fretboard moved. It could probably still be kept in the same place with an extra long cover or something though.
    1. GS-2Q
    2. EXM-1 custom
    3. GMS-7F

  7. #7
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    Leaving the fretboard where it is isn’t a terrible look Chaos

  8. #8
    Overlord of Music Sonic Mountain's Avatar
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    And if the fret was cut a little longer and chamfered down like a normal F-style one it would help cover the truss rod a little more and also alleviate some of the 'long appearance' I think that could be done without any major changes.
    Build 1 - Shoegazer MK1 JMA-1
    Build 2 - The Relliecaster TL-1
    Build 3 - The Black Cherry SG AG-1
    Build 4 - The Sonicaster TL-1ish
    Build 5 - The Steampunker Bass YB-4
    Build 6 - The Howling Gowing ST-1

    "What I lack in talent I make up for with enthusiasm"

  9. #9
    GAStronomist Simon Barden's Avatar
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    Im certain that it would be a much easier and cheaper change to adjust or make new neck templates to alter the shape of the headstock than get a new custom-made truss rod cover tooled up by another factory in order to get one with a custom angled end. These kits are kept low cost by the ability supply parts that are mass-produced by other factories in large quantities.

    Personally, I’d much prefer to see the bigger issues dealt with first, like the dodgy neck pickup routing and the lack of adjustment of the bridge making intonation of the low strings almost impossible (from the build diaries I’ve read). Then deal with the looks.

  10. #10
    Overlord of Music Sonic Mountain's Avatar
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    Quote Originally Posted by Simon Barden View Post
    Im certain that it would be a much easier and cheaper change to adjust or make new neck templates to alter the shape of the headstock than get a new custom-made truss rod cover tooled up by another factory in order to get one with a custom angled end.
    You would think so, but the communication barrier is significant. From what I can tell in my experience of providing plans to the factory, they work from old school tech drawings and hand make the templates. It's not done with a laser cutter as I initially assumed, which would allow for much easier and accurate adjustment of the templates. I agree that fresh templates would be the best option, and also useful for addressing the other issues, but getting the plans drawn and templates made is not a quick or simple process.
    Build 1 - Shoegazer MK1 JMA-1
    Build 2 - The Relliecaster TL-1
    Build 3 - The Black Cherry SG AG-1
    Build 4 - The Sonicaster TL-1ish
    Build 5 - The Steampunker Bass YB-4
    Build 6 - The Howling Gowing ST-1

    "What I lack in talent I make up for with enthusiasm"

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