It's weird looking in there and seeing no bracing at all. This is probably where we need Gavmeister to jump in, as he actually makes acoustic guitars.
It's weird looking in there and seeing no bracing at all. This is probably where we need Gavmeister to jump in, as he actually makes acoustic guitars.
Current:
GTH-1
Completed:
AST-1FB
First Act ME276 (resurrected curb-side find)
ES-5V
Scratchie lapsteel
Custom ST-1 12 String
JBA-4
TL-1TB
Scratch Lapsteel
Meinl DIY Cajon
Cigar Box lap steel
Wishing:
Baritone
Open D/Standard Double 6 twin neck
It's mainly down to the arch top removing (or reducing) the need for bracing. An arched surface has far more strength under load than a flat surface has, as it is able to spread and re-distribute a lot of that load to the sides.
I was previously told by a friend that knows about these things that linking the back and front with a post was a good idea, but so far have failed to find any examples in archtop construction (maybe I need to look at violins & cellos etc.)
Yes, I believe the violin family uses the "sound post". https://en.wikipedia.org/wiki/Sound_post
Current:
GTH-1
Completed:
AST-1FB
First Act ME276 (resurrected curb-side find)
ES-5V
Scratchie lapsteel
Custom ST-1 12 String
JBA-4
TL-1TB
Scratch Lapsteel
Meinl DIY Cajon
Cigar Box lap steel
Wishing:
Baritone
Open D/Standard Double 6 twin neck
Interesting Fretty. The difference between the violin sound post and the one that was in my ES5 are the violin still has braces, the ES5 post was a 1cm x 2cm T-piece rather than dowel and it was glued in dead centre of the bridge, rather than held by friction on the treble side.
It would be interesting to hear the difference. I might have to try cutting some dowel and seeing what it does to my Epi archtop.
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If plan A fails, remember that you still have 25 letters left.
I would imagine it's a T-piece in the PB kits because the top is normally drilled for a tune-o-matic bridge, so needs a wide block under the bridge area to take the post holes. It's probably then just easier for the factory to use the same sized wood to make the rest of the post. It certainly isn't placed properly to tune the acoustic response. Maybe it is simply there for some added structural support, or maybe it increases the sound level at which the body starts to resonate and goes into feedback.
I agree Simon, I think this is purely for bridge support rather than any type of sound / resonance transfer.
I have a Harmony archtop with very similar construction. It has a floating bridge, and no such support. It has two parallel supports that run the length of the top at about the same width as the bridge
Stan's LP Build for my Sister: http://www.buildyourownguitar.com.au...ead.php?t=3146
Benson Pickup Strat mod: http://www.buildyourownguitar.com.au...ead.php?t=5229
Epiphone LP headstock fix: http://www.buildyourownguitar.com.au...ead.php?t=3410
Martin Backpacker Repair: http://www.buildyourownguitar.com.au...?t=5038&page=3
'57 Harmony Jazz guitar project: http://www.buildyourownguitar.com.au...ead.php?t=2972
I never bothered to look in the Harmony archtop I restored in that amount of detail, and it's in someone else's hands now. Wish I had looked harder!
Basically like a flat top acoustic with less bracing
Stan's LP Build for my Sister: http://www.buildyourownguitar.com.au...ead.php?t=3146
Benson Pickup Strat mod: http://www.buildyourownguitar.com.au...ead.php?t=5229
Epiphone LP headstock fix: http://www.buildyourownguitar.com.au...ead.php?t=3410
Martin Backpacker Repair: http://www.buildyourownguitar.com.au...?t=5038&page=3
'57 Harmony Jazz guitar project: http://www.buildyourownguitar.com.au...ead.php?t=2972
If plan A fails, remember that you still have 25 letters left.