Is all of this just a good argument for using shielding paint instead?
Is all of this just a good argument for using shielding paint instead?
Time to get out a couple of theory books, if I still have them.
Because I seem to remember that a Faraday Cage works by ducting the unmatched charge around the surface of the cage and this can then be directed to earth (as opposed to signal ground). Maybe I shouldn't have joked about "skin effect" and surface currents earlier.
One of the really good things about this forum, is that on other technical forums I have used in the past a troll would have abused me for being a Faraday illiterate or something similar by now.
Who wouda thunk buildin' geetars wud give the ol' brain box such a workout?
Col.
I admit that I am an agent of Satan, however, my duties are largely ceremonial.
\m/
I would have no doubt that copper tape would be far superior to paint how ever most my guitars have neither and I simply wire it together and do not get any hum or interference. My Fender US strat does not have the cavities taped and neither does my LesPaul. My question is , is it really necessary?
It is possibly an old school thing, lets face it, just about every electrical do dad is shielded these days so the chance of picking up EMF is low.
Also, most pups are shielded so this eliminates another possible source.
However, it is probably a good idea to shield regardless.
I would be surprised, (but given the crap F&G make these days I shouldnt be) if the Strat doesn't have shielding under the pick guard and the LP wasn't shielded with paint..
Strat has yes under the pick guard but not the cavities. The LP is a custom Black Beauty and quite frankly is not crap. It is a nitro finished model and is nitro in the cavities too. So I'm guessing the pre shielded electronics is the answer. Also my strat is a 60th aniversary (you have seen it) and is also is a superior guitar (not crap) lol...