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Thread: finishing a maple neck

  1. #11
    Moderator fender3x's Avatar
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    1+ and a FWIW... I have found that the most "natural" feeling necks have a satin finish. Glossy necks tend to feel sticky to me. The chemistry of the finish seems less important than the flat-gloss ratio...with flatter finishes feeling more natural.

  2. #12
    Ok cool! Thanks so much for the great advice!
    I definitely wont be using linseed oil
    I have to now get some of this magical TRU OIL everyone seems to love
    Cheers mate really appreciate the thoughtful response

  3. #13
    Quote Originally Posted by McCreed View Post
    1. It is not recommended to leave the neck unfinished. Part of the job of the finish is that it minimises the effect of environmental conditions (ie: humidity) which will cause movement in the timber. For example the neck relief or even worse twisting.
    Another downside to leaving the neck unfinished is it will get grungy from sweat and body oil and will not only look dirty but will eventually feel sticky and grabby. At least with even a thin finish, it won't absorb the sweat & oil and can be cleaned.

    2. re: Linseed Oil, IF you use it (I wouldn't) it needs to be BOILED linseed oil, not RAW. I have seen too many people end up with a sticky mess of a neck. I know the aforementioned Highline Guitars guy uses it, I've seen results IRL that make me avoid it like the plague. It also takes a long time to cure.

    If you want a "natural" neck on the back, my general advice would be to apply at least a thin finish with something like Tru Oil, polyurethane or similar to the back of the neck and go a bit heavier on the fretboard.
    Ok cool! Thanks so much for the great advice!
    I definitely wont be using linseed oil
    I have to now get some of this magical TRU OIL everyone seems to love
    Cheers mate really appreciate the thoughtful response

  4. #14
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    It is very hard to tell someone what to do when you do not know their skill base and work environment. All that I am about to say is due to those 2 variables and is how I do it and I will give my personal opinion about what has been said here and in other posts.

    Nearly everyone here loves Tru-oil and it is part of a religion. I have used Tru-oil on a guitar as when I first started building PB guitars and was not a really big fan and found my experience was different to those who were imparting their knowledge onto others. Tru-oil is a gunstock finish as it gives the best of 2 worlds. The poly gives you a tough finish and the oil stops showing white marks that you get when the item is marked when using varnish. Some here in the forum believe you need to apply at least 20+ coats to get the finish you need. Seeing as you can get Tru-oil for $40 for 240ml and you can get water-based poly for $30 for 500ml cost does come into play if your applying high number of coats. I applied a single coat and found it was enough, it gave a gloss appearance due to how I finished the wood before applying the oil. I applied it using a lint free cloth and had very little application marks as I apply it fairly wet. I did not like the fact that you had to wait so long for it to dry properly before you can use said guitar. If my memory is correct I waited almost a month before it didn't feel tacky and stopped giving off a smell. Drying time can be affected by the weather so there is that and due to the smell it really isn't something you can hang inside to dry.

    I also used it on the neck but found the gloss finish was sticky once you hand got sweaty so I used a fine Scotch-Brite to remove the shine. Gunstocks are rarely in contact with your skin for any length of time, unlike guitars and I saw a Youtube video by Ben Crowe of Crimson Guitars that made me remove the Tru-oil from the neck and replace it with a different product. He said that Tru-oil is not very good for your health and is quite nasty, so I went and found the material safety data sheet to find out what he was talking about. It seems that Tru-oil has some rather nasty elements in it and when applying you HAVE to, not if I feel like it, do it wearing gloves, use a well ventilated area and use a face mask to stop inhalation. Prolonged contact, like when holding it in your hand, is less than desirable as well so I removed the Tru-oil from the neck back to bare wood and applied some kitchen bench top oil finish and used a wax that were all food safe and while not being my favourite finish at least it wont harm my health like Tru-oil can. I don't think anyone here is aware, as I was before watching the video and looking at the MSDS, and is the reason why it is not spoken about. I know there will be someone who says that what I have said is BS but I am not willing to take any chances to impress someone.

    I have used Boiled Linseed oil on a neck as well as the body of a guitar and while it was an OK finish I would not use it again for a couple of reasons. One you have to soak your rags in water, as you do with Tru-oil, so they don't combust while the oil dries. Second is the length of time it takes to dry. I want to start playing my guitar within a week or 2 of starting my build so this is not a product that can achieve that time line.

    I have used Nitro/car paint as well but you have to have a spray setup which can push the price up and you need the temp to be above, I think 15 degrees with low humidity to reduce orange peel affect which takes a fair bit of sanding to remove. The finish was good but all the stuffing around just wasn't worth it and you could not spray in Winter so almost 4 - 6 months were non guitar building months.

    I have used oil based poly but again you have expense as you need a solvent to clean up and there is the smell that has to be considered if you are in a flat or don't have a shed where you can hang it while it dries. It also takes a little bit longer before you can polish it as well as you have to wait for it to completely dry.

    Now I use water based poly for a couple of reasons. Firstly you clean up with water, secondly it dries really quick and lastly no smell and can be done all year round as you can do it inside. The only down side is it may raise the wood fibres as it is water based so I normally find 3 applications is more than enough. I use a lint free cloth, like a Chux, as I can get it in a roll really cheap. I apply the first coat fairly thick so when I am finished the surface looks wet and give a light sand with a Scotch-Brite as you can use it over and over, unlike sand paper, and you don't need water, unlike wet and dry paper. This removes any fibres that have been lifted but most of the time due to the fact I use a sanding sealer I find very little have been raised. I apply a second coat, like the first it is fairly thick so as when you look at it it looks wet. Then I give it the same rub with the Scotch-Brite and then a final fairly thin coat just to fill in any sanding marks and that is it. I give it a light rub with a fine Scotch-Brite to remove any dust and then polish. I normally find I can put 2 coats on in a day. Put the third on next day and polish the next day.

    I have used most if not all finishes and have also refined my sanding techniques before you add the finish. The only finish I apply to the fret board is Almond oil but any of the store bought fret board finishes are fine but I find almond oil is a cheap alternative. I don't like any body/neck finish on the fret board as over time the finish can be damaged and it makes the guitar look less than desirable and if it starts to look used then you can apply a coat of oil and it looks like new.

    Any way that is how I finish my guitars and I am sure you will come up with your own way. There is nothing wrong with being different to everyone else.
    Builds :
    # 1 - Non PBG ES-335
    # 2 - Non PBG Tele Thin line
    # 3 - Non PBG LP
    # 4 - Non PBG SG
    # 5 - RC-1
    # 6 - TL-1
    # 7 - ST-1 Custom
    # 8 - SGB-30 + Non PBG SG
    # 9 - Custom JRM-1DC 12 String
    #10 - Custom ST-1 with P90's
    #11 - Custom TL-1 with 27" Bari Neck
    #12 - Custom JZ-6 Jazzmaster
    #13 - AG-1 Factory Second
    #14 - Custom JZ-6 Bass vi
    #15 - EX-1R Factory Second
    #16 - AGM-1
    #17 - EXA-7

  5. #15
    Quote Originally Posted by Dikkybee007 View Post
    Any way that is how I finish my guitars and I am sure you will come up with your own way. There is nothing wrong with being different to everyone else.
    +1 well said!

  6. #16
    Member chidave's Avatar
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    I'm in the process of refinishing a Chinese Squire neck for an offset tele (back and fretboard). I applied one coat of amber shellac to darken the bare maple. Thin amber shellac for a more subtle color if you want to keep it light. This afternoon I'll be spraying the Watco lacquer that I had on hand before starting this project.

    Please note, this is my first diy guitar project though I've done other wood finishing before. Will update with my thoughts on the Watco in a few weeks.
    Last edited by chidave; 19-06-2023 at 11:25 AM.

  7. #17
    Quote Originally Posted by Dikkybee007 View Post
    It is very hard to tell someone what to do when you do not know their skill base and work environment. All that I am about to say is due to those 2 variables and is how I do it and I will give my personal opinion about what has been said here and in other posts.

    Nearly everyone here loves Tru-oil and it is part of a religion. I have used Tru-oil on a guitar as when I first started building PB guitars and was not a really big fan and found my experience was different to those who were imparting their knowledge onto others. Tru-oil is a gunstock finish as it gives the best of 2 worlds. The poly gives you a tough finish and the oil stops showing white marks that you get when the item is marked when using varnish. Some here in the forum believe you need to apply at least 20+ coats to get the finish you need. Seeing as you can get Tru-oil for $40 for 240ml and you can get water-based poly for $30 for 500ml cost does come into play if your applying high number of coats. I applied a single coat and found it was enough, it gave a gloss appearance due to how I finished the wood before applying the oil. I applied it using a lint free cloth and had very little application marks as I apply it fairly wet. I did not like the fact that you had to wait so long for it to dry properly before you can use said guitar. If my memory is correct I waited almost a month before it didn't feel tacky and stopped giving off a smell. Drying time can be affected by the weather so there is that and due to the smell it really isn't something you can hang inside to dry.

    I also used it on the neck but found the gloss finish was sticky once you hand got sweaty so I used a fine Scotch-Brite to remove the shine. Gunstocks are rarely in contact with your skin for any length of time, unlike guitars and I saw a Youtube video by Ben Crowe of Crimson Guitars that made me remove the Tru-oil from the neck and replace it with a different product. He said that Tru-oil is not very good for your health and is quite nasty, so I went and found the material safety data sheet to find out what he was talking about. It seems that Tru-oil has some rather nasty elements in it and when applying you HAVE to, not if I feel like it, do it wearing gloves, use a well ventilated area and use a face mask to stop inhalation. Prolonged contact, like when holding it in your hand, is less than desirable as well so I removed the Tru-oil from the neck back to bare wood and applied some kitchen bench top oil finish and used a wax that were all food safe and while not being my favourite finish at least it wont harm my health like Tru-oil can. I don't think anyone here is aware, as I was before watching the video and looking at the MSDS, and is the reason why it is not spoken about. I know there will be someone who says that what I have said is BS but I am not willing to take any chances to impress someone.

    I have used Boiled Linseed oil on a neck as well as the body of a guitar and while it was an OK finish I would not use it again for a couple of reasons. One you have to soak your rags in water, as you do with Tru-oil, so they don't combust while the oil dries. Second is the length of time it takes to dry. I want to start playing my guitar within a week or 2 of starting my build so this is not a product that can achieve that time line.

    I have used Nitro/car paint as well but you have to have a spray setup which can push the price up and you need the temp to be above, I think 15 degrees with low humidity to reduce orange peel affect which takes a fair bit of sanding to remove. The finish was good but all the stuffing around just wasn't worth it and you could not spray in Winter so almost 4 - 6 months were non guitar building months.

    I have used oil based poly but again you have expense as you need a solvent to clean up and there is the smell that has to be considered if you are in a flat or don't have a shed where you can hang it while it dries. It also takes a little bit longer before you can polish it as well as you have to wait for it to completely dry.

    Now I use water based poly for a couple of reasons. Firstly you clean up with water, secondly it dries really quick and lastly no smell and can be done all year round as you can do it inside. The only down side is it may raise the wood fibres as it is water based so I normally find 3 applications is more than enough. I use a lint free cloth, like a Chux, as I can get it in a roll really cheap. I apply the first coat fairly thick so when I am finished the surface looks wet and give a light sand with a Scotch-Brite as you can use it over and over, unlike sand paper, and you don't need water, unlike wet and dry paper. This removes any fibres that have been lifted but most of the time due to the fact I use a sanding sealer I find very little have been raised. I apply a second coat, like the first it is fairly thick so as when you look at it it looks wet. Then I give it the same rub with the Scotch-Brite and then a final fairly thin coat just to fill in any sanding marks and that is it. I give it a light rub with a fine Scotch-Brite to remove any dust and then polish. I normally find I can put 2 coats on in a day. Put the third on next day and polish the next day.

    I have used most if not all finishes and have also refined my sanding techniques before you add the finish. The only finish I apply to the fret board is Almond oil but any of the store bought fret board finishes are fine but I find almond oil is a cheap alternative. I don't like any body/neck finish on the fret board as over time the finish can be damaged and it makes the guitar look less than desirable and if it starts to look used then you can apply a coat of oil and it looks like new.

    Any way that is how I finish my guitars and I am sure you will come up with your own way. There is nothing wrong with being different to everyone else.


    WOW that sure is a lot of words mate
    Sounds like youve got a shit load of experience building guitars. And yes whenever something has a lot of hype around it i get skeptical , i kind of decided i woukd use only locally available , affordable materials in this project , so instead of ordering 100ml of tru oil for like $50 i went to my local BunningsAND BOUGHT THIS TO TRY
    it seems to have similar ingredients to tru oil except the proce is $19 for a litre
    Main ingredient is boiles linseed oil and a solvent like turpentine to help it penetrate and dry faster
    I will use this and report back on if its good or not
    Might be a great alternative for others in future
    Click image for larger version. 

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  8. #18
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    Try and get a piece of pine that has roughly the same grain as your maple but obviously not as hard but cheaper and try a test application to see how it dries and if it changes the colour of the wood. If it turns out darker or no change at all. Then once it is dry rub your hand along it and see how it feels in your hand. Hold it in your hand and see if it gets sticky or oily with the heat of your hand. If it leaves a oily feeling or residue and see if your hand will glide along it without sticking.

    The other thing that I forgot to mention about water based finishes are they are self levelling so if you were to have a slightly open grain it will fill any slight wood grain features unlike paints.

    What ever you can get will be fine as long as you figure out how to apply it before you put it on the guitar as I found out in the early days. I am lazy and only want to apply finish once and in the early days my finishes were less than perfect. I thought appearance was important, and it is, but after seeing some artists guitars, SRV, Stings bass, I thought as long as it is sealed and stops the body from being affected by moisture I was fine with it.

    I still try to achieve the best I can but seeing as you have to work with what you have then you can always cut yourself some slack. Unless you have the perfect setup and skill base then as long as the guitar plays its good. I have said before, guitars are for playing, not displaying. If I want something that looks good on a wall I will get a picture.
    Builds :
    # 1 - Non PBG ES-335
    # 2 - Non PBG Tele Thin line
    # 3 - Non PBG LP
    # 4 - Non PBG SG
    # 5 - RC-1
    # 6 - TL-1
    # 7 - ST-1 Custom
    # 8 - SGB-30 + Non PBG SG
    # 9 - Custom JRM-1DC 12 String
    #10 - Custom ST-1 with P90's
    #11 - Custom TL-1 with 27" Bari Neck
    #12 - Custom JZ-6 Jazzmaster
    #13 - AG-1 Factory Second
    #14 - Custom JZ-6 Bass vi
    #15 - EX-1R Factory Second
    #16 - AGM-1
    #17 - EXA-7

  9. #19
    Quote Originally Posted by Dikkybee007 View Post
    Try and get a piece of pine that has roughly the same grain as your maple but obviously not as hard but cheaper and try a test application to see how it dries and if it changes the colour of the wood. If it turns out darker or no change at all. Then once it is dry rub your hand along it and see how it feels in your hand. Hold it in your hand and see if it gets sticky or oily with the heat of your hand. If it leaves a oily feeling or residue and see if your hand will glide along it without sticking.

    The other thing that I forgot to mention about water based finishes are they are self levelling so if you were to have a slightly open grain it will fill any slight wood grain features unlike paints.

    What ever you can get will be fine as long as you figure out how to apply it before you put it on the guitar as I found out in the early days. I am lazy and only want to apply finish once and in the early days my finishes were less than perfect. I thought appearance was important, and it is, but after seeing some artists guitars, SRV, Stings bass, I thought as long as it is sealed and stops the body from being affected by moisture I was fine with it.

    I still try to achieve the best I can but seeing as you have to work with what you have then you can always cut yourself some slack. Unless you have the perfect setup and skill base then as long as the guitar plays its good. I have said before, guitars are for playing, not displaying. If I want something that looks good on a wall I will get a picture.

    Thanks for the fantastic advuce my friend! I will test it on some scrap timber as you suggest
    Cheers mate!

  10. #20
    Sorry to resurrect an old thread but I just wanted to clarify. I'm about to do my first maple fretboard, all my previous ones were rosewood or african blackwood. Will my trusty Feast Watson wipe on poly do the job on the fretboard? It may or may not have been mentioned, I don't know if its classed as water based or whatever, probably should learn, I just know I have some and would prefer to use it, as I don't have a place to spray things.

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