Thanks Simon!
Thanks Simon!
Build 19 PSH-1 Kustom
Build 18 HB-4S Kustom
Build 17 WL-1 Kustom
Build 16 TL-1TB Kustom
Build 15 PBG-2-
Build 14 FTD-1
Build 13 RD-1 Kustom
Build 12 DM-1S
Build 11 MKA-2 -
Build 10 Basic strat
Build 9 JM Kustom
Build 8 FV-1G
Build 7 ES-2V
Build 6- Community prototype
Build 5 LP-1LQ
Build 4 ES-5V
Build 3 JR-1
Build 2 GD-1
Build 1 TLA-1
The 'Kinman' mod is just wiring the bleed capacitor and resistor in series instead of parallel. Different people have different ideas on the optimum cap and resistor value, but a 0.001uF/1pF capacitor and a 130k ohm 1/4 watt resistor seem to be the most popular.
In the diagram below, the first option is simply a capacitor, which works but can lead to the tone getting a lot brighter as the volume is reduced. The second is a capacitor and resistor in parallel, which is the Seymour Duncan/StewMac/PBG kit version, whilst the third is the capacitor and resistor in series and is often known as the 'Kinman' version.
I tried the second one on a Strat I rewired recently and that worked nicely, but the Kinman version would work better on a two-volume control guitar. Wazkelly found out with a Jazz Bass (where there is no selector switch and both pickups are permanently in circuit), that the standard treble bleed kits caused the volume drop-out when one pickup volume was turned right down (to select either just the bridge or neck pick-up), which caused me to start looking into these things.
There is a lot of stuff out there on the web about these bleed circuits, and there are quite a lot of variations on values, plus more alternative circuits, some of which seem rather OTT, in search of technical perfection.
that's a nice shine there dedman theirs some work in that body smooth as a baby bum
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126 guitars done so far still going, 34 Starts, 25 Teles, 27 Les Pauls, 11 SGs, 8 Hollow Body, 21 Super Strats
Build 19 PSH-1 Kustom
Build 18 HB-4S Kustom
Build 17 WL-1 Kustom
Build 16 TL-1TB Kustom
Build 15 PBG-2-
Build 14 FTD-1
Build 13 RD-1 Kustom
Build 12 DM-1S
Build 11 MKA-2 -
Build 10 Basic strat
Build 9 JM Kustom
Build 8 FV-1G
Build 7 ES-2V
Build 6- Community prototype
Build 5 LP-1LQ
Build 4 ES-5V
Build 3 JR-1
Build 2 GD-1
Build 1 TLA-1
Very you, Dedman. It "looks" like the kind of music you like to listen to.
Current:
GTH-1
Completed:
AST-1FB
First Act ME276 (resurrected curb-side find)
ES-5V
Scratchie lapsteel
Custom ST-1 12 String
JBA-4
TL-1TB
Scratch Lapsteel
Meinl DIY Cajon
Cigar Box lap steel
Wishing:
Baritone
Open D/Standard Double 6 twin neck
Build 19 PSH-1 Kustom
Build 18 HB-4S Kustom
Build 17 WL-1 Kustom
Build 16 TL-1TB Kustom
Build 15 PBG-2-
Build 14 FTD-1
Build 13 RD-1 Kustom
Build 12 DM-1S
Build 11 MKA-2 -
Build 10 Basic strat
Build 9 JM Kustom
Build 8 FV-1G
Build 7 ES-2V
Build 6- Community prototype
Build 5 LP-1LQ
Build 4 ES-5V
Build 3 JR-1
Build 2 GD-1
Build 1 TLA-1
What a right pain in the butt getting that wiring in through those tiny f holes. glad I went with mini pots! I called them f'n holes a fair bit! Much eaiser on the full size axes. But to my surprise even after all the twisting and turning it passed the "tap" test first time round. Tuners, a clean up of the fret board to get the masking tap glue off and strings tomorrow!
I have to say that since buying a decent soldering station my wiring has improved 100%. Again thanks Doc for the advice on what to buy
Build 19 PSH-1 Kustom
Build 18 HB-4S Kustom
Build 17 WL-1 Kustom
Build 16 TL-1TB Kustom
Build 15 PBG-2-
Build 14 FTD-1
Build 13 RD-1 Kustom
Build 12 DM-1S
Build 11 MKA-2 -
Build 10 Basic strat
Build 9 JM Kustom
Build 8 FV-1G
Build 7 ES-2V
Build 6- Community prototype
Build 5 LP-1LQ
Build 4 ES-5V
Build 3 JR-1
Build 2 GD-1
Build 1 TLA-1
Build 19 PSH-1 Kustom
Build 18 HB-4S Kustom
Build 17 WL-1 Kustom
Build 16 TL-1TB Kustom
Build 15 PBG-2-
Build 14 FTD-1
Build 13 RD-1 Kustom
Build 12 DM-1S
Build 11 MKA-2 -
Build 10 Basic strat
Build 9 JM Kustom
Build 8 FV-1G
Build 7 ES-2V
Build 6- Community prototype
Build 5 LP-1LQ
Build 4 ES-5V
Build 3 JR-1
Build 2 GD-1
Build 1 TLA-1
Looking great, Dedman.
What's it sound like? Has it got much of a semi-acoustic nature to it?