Page 3 of 4 FirstFirst 1 2 3 4 LastLast
Results 21 to 30 of 36

Thread: AndrewA's ES5-V

  1. #21
    Overlord of Music Fretworn's Avatar
    Join Date
    May 2013
    Location
    Hornsby Area, Sydney, NSW
    Posts
    3,951
    It's weird looking in there and seeing no bracing at all. This is probably where we need Gavmeister to jump in, as he actually makes acoustic guitars.
    Current:
    GTH-1

    Completed:
    AST-1FB
    First Act ME276 (resurrected curb-side find)
    ES-5V
    Scratchie lapsteel
    Custom ST-1 12 String
    JBA-4
    TL-1TB
    Scratch Lapsteel
    Meinl DIY Cajon
    Cigar Box lap steel

    Wishing:
    Baritone
    Open D/Standard Double 6 twin neck

  2. #22
    GAStronomist Simon Barden's Avatar
    Join Date
    Oct 2016
    Location
    Reading, UK
    Posts
    10,547
    It's mainly down to the arch top removing (or reducing) the need for bracing. An arched surface has far more strength under load than a flat surface has, as it is able to spread and re-distribute a lot of that load to the sides.

    I was previously told by a friend that knows about these things that linking the back and front with a post was a good idea, but so far have failed to find any examples in archtop construction (maybe I need to look at violins & cellos etc.)

  3. #23
    Overlord of Music Fretworn's Avatar
    Join Date
    May 2013
    Location
    Hornsby Area, Sydney, NSW
    Posts
    3,951
    Quote Originally Posted by Simon Barden View Post
    It's mainly down to the arch top removing (or reducing) the need for bracing. An arched surface has far more strength under load than a flat surface has, as it is able to spread and re-distribute a lot of that load to the sides.

    I was previously told by a friend that knows about these things that linking the back and front with a post was a good idea, but so far have failed to find any examples in archtop construction (maybe I need to look at violins & cellos etc.)
    Yes, I believe the violin family uses the "sound post". https://en.wikipedia.org/wiki/Sound_post
    Current:
    GTH-1

    Completed:
    AST-1FB
    First Act ME276 (resurrected curb-side find)
    ES-5V
    Scratchie lapsteel
    Custom ST-1 12 String
    JBA-4
    TL-1TB
    Scratch Lapsteel
    Meinl DIY Cajon
    Cigar Box lap steel

    Wishing:
    Baritone
    Open D/Standard Double 6 twin neck

  4. #24
    Member AndrewA's Avatar
    Join Date
    Mar 2016
    Location
    Broken Hill, NSW
    Posts
    115
    Interesting Fretty. The difference between the violin sound post and the one that was in my ES5 are the violin still has braces, the ES5 post was a 1cm x 2cm T-piece rather than dowel and it was glued in dead centre of the bridge, rather than held by friction on the treble side.
    It would be interesting to hear the difference. I might have to try cutting some dowel and seeing what it does to my Epi archtop.

    Sent from my F3115 using Tapatalk
    If plan A fails, remember that you still have 25 letters left.

  5. #25
    GAStronomist FrankenWashie's Avatar
    Join Date
    Jan 2016
    Location
    Glebe, NSW
    Posts
    5,666
    Quote Originally Posted by AndrewA View Post
    Interesting Fretty. The difference between the violin sound post and the one that was in my ES5 are the violin still has braces, the ES5 post was a 1cm x 2cm T-piece rather than dowel and it was glued in dead centre of the bridge, rather than held by friction on the treble side.
    It would be interesting to hear the difference. I might have to try cutting some dowel and seeing what it does to my Epi archtop.

    Sent from my F3115 using Tapatalk
    Well my curiosity is piqued with this. I am going to go home and get my inspection camera out and see what is in the depths of my Casino and my Eastman.
    FrankenLab
    Hand crafting guitars, because Death Rays are expensive.


  6. #26
    GAStronomist Simon Barden's Avatar
    Join Date
    Oct 2016
    Location
    Reading, UK
    Posts
    10,547
    I would imagine it's a T-piece in the PB kits because the top is normally drilled for a tune-o-matic bridge, so needs a wide block under the bridge area to take the post holes. It's probably then just easier for the factory to use the same sized wood to make the rest of the post. It certainly isn't placed properly to tune the acoustic response. Maybe it is simply there for some added structural support, or maybe it increases the sound level at which the body starts to resonate and goes into feedback.

  7. #27
    GAStronomist stan's Avatar
    Join Date
    Aug 2013
    Location
    Geelong, Vic
    Posts
    5,290
    Quote Originally Posted by Simon Barden View Post
    I would imagine it's a T-piece in the PB kits because the top is normally drilled for a tune-o-matic bridge, so needs a wide block under the bridge area to take the post holes. It's probably then just easier for the factory to use the same sized wood to make the rest of the post. It certainly isn't placed properly to tune the acoustic response. Maybe it is simply there for some added structural support, or maybe it increases the sound level at which the body starts to resonate and goes into feedback.

    I agree Simon, I think this is purely for bridge support rather than any type of sound / resonance transfer.
    I have a Harmony archtop with very similar construction. It has a floating bridge, and no such support. It has two parallel supports that run the length of the top at about the same width as the bridge

  8. #28
    GAStronomist Simon Barden's Avatar
    Join Date
    Oct 2016
    Location
    Reading, UK
    Posts
    10,547
    I never bothered to look in the Harmony archtop I restored in that amount of detail, and it's in someone else's hands now. Wish I had looked harder!

  9. #29
    GAStronomist stan's Avatar
    Join Date
    Aug 2013
    Location
    Geelong, Vic
    Posts
    5,290
    Basically like a flat top acoustic with less bracing

  10. #30
    Member AndrewA's Avatar
    Join Date
    Mar 2016
    Location
    Broken Hill, NSW
    Posts
    115
    UPDATE. I haven't posted for a few weeks, but have been doing stuff when I get the chance. Working in a tin shed isn't fun when it's 43 degrees outside. The photo below shows what I'm currently working on, but can you tell what is happening here?
    Click image for larger version. 

Name:	IMG_0722.JPG 
Views:	410 
Size:	112.0 KB 
ID:	16626
    If plan A fails, remember that you still have 25 letters left.

  11. Liked by: stan

Page 3 of 4 FirstFirst 1 2 3 4 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •