I knew it was WazKelly that gave me some tips on working with an ink pop. Here is what he posted on my Cliche Black LP thread:
"Wow Frankie, what a dilemma!

I have devilishly contemplated doing something similar to Arzi's Barncaster that would require using Black Ink Jet Ink and reckon it might just work on this. Here are some ideas.....

Wipe the black ink on with a rag and allow it to get touch dry and then wipe off as much as you can on the front and back with a 'just damp' (not wringing wet) cloth to soak up as much of the black as possible but leaving all that you can on the edges to act as a black border. Remember to keep rinsing the cloth out in a bucket of water so that it can absorb more ink on each pass.

Leave to dry overnight or 24 hours if possible then hit it again with another damp cloth wipe to see if any more ink comes off. The grain should be popping by now. If things don't look dark enough repeat step one again. After a second drying period and subsequent damp wipe the grain should be popping off the dial. Don't forget to do the back of the neck and maybe headstock face too at the same time. Don't think it will need a 3rd ink session as you run the risk of too much soaking in. Did this on my Blue Tele and it brought the best out in the flame maple top and reckon It would look unreal in shades of black through to grey.

As I have had best results with TO that would be my choice for top coats however anything goes over ink provided you give it plenty of time to fully dry so that leaves you with lots of options."

I am going to run some tests on this with India ink and some scrap maple pieces to see how it works, i'll let you know how it goes.