While I pondered on the colour progression of my ES-1TL build I took the time to have a play in my favourite stomping ground ad fitted the post phase inverter volume control to my home made 50W (Master volume type 2103/2104/2203/2204) clone. refer
http://schematicheaven.net/marshall.html under the series 'JMP 1959 Lead 50W' for the pdf circuit this is based upon.
If you look closely at the differences from this photo and the earlier photo you can see the dual gang 250k pot on the back panel that is the heart of the mod. In the bias circuit that feeds the EL34's there are (in Marshall designs) a pair of 220k resistors feeding the bias voltage to the output tube grids. The mod basically turns these two resistors into a variable volume control. Zero volume essentially connects the grids direct to the bias supply point, and 100% volume has the same effect as if the pot wasn't there. The Eagle eyed among you will notice that there are still 1M resistors going from the bias 2nd filter cap and the grid current limit resistors which are there to ensure there is always bias on the grids even if the post inverter volume pot has momentary open circuit moments when adjusted, and have the secondary effect of pulling the 250k pots back to 215k which is close enough to 220k as to not be bothered about.
I also added a 0.1uF across the high voltage supply to V1. This has the effect of reducing some of the noise that the cascaded stages in V1 are prone to make. The low input only uses half of V1, whereas the High input adds an extra 10dB of gain from the other half of the tube but sadly also adds to the noise floor. The cap helps to reduce the noise of the extra stage. It's getting better and I'm happy with it, but I know more can be done...
How does it sound?.... Clean on the low channel with flat EQ is wonderful with crisp bright highs and full lows . And with SD hot rails into the high channel I am left wondering why I ever spent money on OD pedals... and the wonderful thing is with the post phase inverter volume modification I can now wind it all down to evening bedroom volume levels or wind it up to ACDC concert levels without changing any of the drive through the three 12AX7's who do most of the work in creating a 'Grunge' or a 'Dirty' sound...
Now I need to work out a way of doing an 'effects loop', and a 'record line out'....