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First Timer in the UK - DMS-1
I've been looking for some time for a kit to be my first guitar build; I wanted a short-scale instrument and also something a bit different to the usual trio of ST-, TL- and LP-types. I'd have gone for a Jaguar-style if I'd been able to find one, but Mustang-like will be fine.
Back-ordered in the depths of UK lockdown, it arrived a few days ago, (impressive time once it was at Pit Bull HQ to arrive here my house in the UK, by the way - 5 days end to end) and I've been trying to work out how to get photos into this Forum ever since! I found various different options mentioned in various different posts, and I'm sure I'll find a better way to do it, as I progress with this build.
Anyway, to the guitar diary. DMS-1 unpacked, all the parts seem to be present and correct, including the upgrades to a bone nut and Grover tuners. Two-piece ash body, maple fingerboard
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No major dents or damage to the body or neck as far as I can see, but there are a few niggles to overcome; I'd be interested to hear if these are common on Pit Bull kits.
1. A couple of wiring niggles; the wire to the selector switch only just reaches from the volume pot to its location, pulling tight on the cavity corners, so I'll be re-wiring that to give a bit of slack, and there's a joint in both wires on one of the pick-ups for no apparent reason, other than possibly wanting to make use of every last scrap of wire on a roll! Again, I'll re-wire that to avoid all unnecessary joints.
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2. The neck isn't exactly loose in the neck pocket, but it isn't what I'd call a snug fit either; the neck drops in with no pressure whatsoever. I think a couple of plane shavings off a scrap bit of maple might be called for.
3. The pre-drilled holes for the bridge aren't all aligned - maybe the template was for a different bridge. The front two and the middle rear one look OK, so I'll think about plugging and re-drilling the other two - I hate screws that go in crooked!
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4. It looks like the router took two passes at the nut slot, and didn't get them aligned. I wouldn't have worried if the extra gap was at the back, but at the front it may allow the nut to twist. Maybe another sliver of maple...
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Next up, hunting for glue blobs, and trying to work out why I appear only to be able to have five pictures per post!
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Replacement neck is here...but not in the way I expected.
Soooo...after waiting nearly three months, it turns out that the factory can't supply Pit Bull with replacement necks for DMS-1 kits (24" scale length). That's a bit of a blow and something of a hole in the whole selling and servicing of kits chain, in my view. Anyway, Ben agreed to refund some of the cost, which will go some way towards buying a new neck myself - which I've done. Without going to bespoke companies or top-end suppliers of licensed neck, I found a 24" scale neck from a seller on eBay, in the UK. Undoubtedly made in China at the price, but supplied from the UK in only a few days. The fretboard isn't maple, as I'd wanted, but it's the only one I could find, so it'll have to do.
It is fractionally small than the Pit Bull neck, so I've moved up to veneer to pack out the neck pocket, then sanded it down slightly for a snug fit.
Here's the neck, embellished with my proposed logo. It's an épée, a fencing sword, a big thing in my past.
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I've drilled the holes for the tuners, and after a bit of trepidation, and a couple of clamps, drilled the holes for the neck screws.
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Having got the neck fitted, I took to a bit of repeated measuring to work out exactly where the bridge should go, front to back, and used bits of thin string running over the nut to work out where it should go, left to right (or up and down, depending on your view) to get the strings equidistant from each side of the neck. And forgot to take any pictures before drilling the bridge holes. The cheap plastic nut that came with the neck has now gone, and will be replaced by the bone one I ordered with the original Pit Bull neck. I'll see if it needs any modification later on.
Next up, neck out and fret levelling. Made the neck flat with a notched edge, then loads of masking tape on the fretboard, sharpie marking on the frets, and 360 grit on a long piece of known flat hardwood. Once they were all level, repeat very gently with 600 grit. As you can see in the photo, there was quite a difference between the highest frets and the lowest. Hopefully fret crowning will still be OK, given that some frets are only just flat on the top and some are very flat...we'll see when the newly ordered fret-crowning file arrives!
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