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Thread: My First Builds - IB-6S Bass and LPA-7 Guitar

  1. #1
    Member P2ych0178's Avatar
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    My First Builds - IB-6S Bass and LPA-7 Guitar

    I'm starting into my first two builds today and I'm really looking forward to the process!! (and the final result)

    I'm building two guitars, starting with the IB-6S bass kit from Pitbull Guitars.

    I've thus far measured out my neck and mounted the bridge (34 inch gauge).

    I'll be finishing the bass in a Columbian Gold satin stain from wudtone.com

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    Next up is the LPA-7 kit. So far, I've routed out the channels for the pickups as I'll be putting in Entwistle Dark Star 7's (which have a 88mm gap between pickup screws instead of the 78 as default on this kit). I'm replacing all the hardware with blacket plastic and metal. Any advice on where to find a suitable black 7 string nut would be greatly appreciated though =) Will be finishing this guitar in the Onyx gloss with silver highlights, stain, also from wudtone.com. I'll leave the white binding and I'm hoping that the darker would on the body and the lighter wood on the veneer/neck will create a sort of dual-tone, whilst still only using the one colour of stain.

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    Really looking forward to getting through this build and keeping up the build diary! Any advise would be greatly appreciated, as I'm learning as I go along!

  2. #2
    Overlord of Music Andy40's Avatar
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    Hi P2 and welcome to the forum.

    2 kits! going hard mate. good on you.

    Well the firstest firsty piece of advice I would give you is

    ....do not sand through the veneers.....

    they are mighty thin and easy to sand through.

    and If you do, its not the end of the world (you will cry, I will cry) but it will be a great paint job.
    Build #1 - ST-1 - Completed
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  3. #3
    Overlord of Music Fretworn's Avatar
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    Welcome P2ych0178.
    Current:
    GTH-1

    Completed:
    AST-1FB
    First Act ME276 (resurrected curb-side find)
    ES-5V
    Scratchie lapsteel
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    Wishing:
    Baritone
    Open D/Standard Double 6 twin neck

  4. #4
    Member P2ych0178's Avatar
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    Thanks Andy40,

    I'm after doing a bit of a test-assembly to make sure that things are lining up right. The neck when screwed in is sitting slightly lower (maybe a mill?) than the veneer. I was going to try sand until they met but, I'm guessing that might be a bad idea??

    Also, just to check my logic is right. I've only put one string on, just to check everything seems to be sitting right. I'm getting buzz on the first 5 frets and I'm noticing that the neck is ever-so-slightly curved back at that point (truss rod too tight). I'm guessing that that might correct itself once there's 5 more strings on, and neck is under full tension??

    Click image for larger version. 

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    And cheers Fretworn =)

  5. #5
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    Welcome... lots of threads here to help.... http://www.buildyourownguitar.com.au...splay.php?f=57

    I found that leaving the kit once it arrived (apart from sanding) helped me, lets the wood settle too,

  6. #6
    GAStronomist FrankenWashie's Avatar
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    Nice kit choices, welcome to the party!
    FrankenLab
    Hand crafting guitars, because Death Rays are expensive.


  7. #7
    Overlord of Music Andy40's Avatar
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    Quote Originally Posted by P2ych0178 View Post
    Thanks Andy40,

    I'm after doing a bit of a test-assembly to make sure that things are lining up right. The neck when screwed in is sitting slightly lower (maybe a mill?) than the veneer. I was going to try sand until they met but, I'm guessing that might be a bad idea??

    Also, just to check my logic is right. I've only put one string on, just to check everything seems to be sitting right. I'm getting buzz on the first 5 frets and I'm noticing that the neck is ever-so-slightly curved back at that point (truss rod too tight). I'm guessing that that might correct itself once there's 5 more strings on, and neck is under full tension??

    Click image for larger version. 

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    And cheers Fretworn =)
    As a general rule, I do all modifications before laying any finishes and final sanding. So setting it up like this is a good way to check to see if you are going to run into problems, so if a modification is required you don't have to risk destroying a finish.

    I would set up both high and low strings to check the real estate on the edge of the fret board and ensure the neck is straight.

    I usually do not worry about neck bow, saddle heights/nut height until setting up the guitar. Its just a usual process you will go through
    Build #1 - ST-1 - Completed
    Build #2 - LP-1SS - Completed
    Build #3 - TLA-1R - Completed
    Build #4 - SGD-612 - Completed
    Build #5 - ES-1G - Completed
    Build #6 - STA-1HT | Completed
    Build #7 - ST1JR - Completed
    Current Build #8 - JBA-4
    Build #9 - Semi-scratch build Tele x 2 - Completed
    Current Build #10 - PRS-1H
    Current Build #11 - AGJR-1 - Completed
    Current Build #12 - ATL-1SB
    Current Build #13 - GST-1
    Current Build #14 - FBM-1

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  9. #8
    GAStronomist Simon Barden's Avatar
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    For a black 7-string nut I'd look on eBay. e.g. http://www.ebay.co.uk/itm/GRAPHTECH-...kAAOSwsXFZM-Ra

    But measure the width of the neck first (and also the existing nut height) to avoid selecting something too small or too big. Graphtech do a lot of nuts so it's worth looking at their website, selecting the one that's the best fit for your neck and then Googling for the part number. Someone will have it in stock somewhere. http://www.graphtech.com/products/pr...ategories/nuts

    As you want black, then I'd definitely recommend something like their Tusq nuts over a standard plastic one. Well worth a few Euros extra.

  10. #9
    GAStronomist wazkelly's Avatar
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    Nice grain on both kits. Almost a shame to hide them under dark colours.

    With the height difference where neck is slightly lower....DO NOT SAND THE VENEERS....they are thinner than paper and it wouldn't take much to sand right through as many forum members have discovered the hard way. Best to wait until final setup to see how things are as once you put some coats of finish on the neck heel that may just solve height issues perhaps. If not a shim under the neck may be required but you may also discover the issue could be cosmetic and that fretboard height is more important in relation to bridge saddle heights and thus achieving a decent low action. Changing one thing because it doesn't look right can often have ripple effects and best to check all those things out on the final assembly and setup stage. Likewise, neck bow, as a fiver does generate a lot of tension and best to make any truss rod adjustments under tension and at proper pitch.

    2 on the go at once is lots of fun which is how most of mine were done. Ensures you always have a build to work on.

    Good luck and will be keenly watching how things progress.

    Cheers, Waz
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  11. #10
    Member P2ych0178's Avatar
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    Quote Originally Posted by wazkelly View Post
    Nice grain on both kits. Almost a shame to hide them under dark colours.

    With the height difference where neck is slightly lower....DO NOT SAND THE VENEERS....they are thinner than paper and it wouldn't take much to sand right through as many forum members have discovered the hard way. Best to wait until final setup to see how things are as once you put some coats of finish on the neck heel that may just solve height issues perhaps. If not a shim under the neck may be required but you may also discover the issue could be cosmetic and that fretboard height is more important in relation to bridge saddle heights and thus achieving a decent low action. Changing one thing because it doesn't look right can often have ripple effects and best to check all those things out on the final assembly and setup stage. Likewise, neck bow, as a fiver does generate a lot of tension and best to make any truss rod adjustments under tension and at proper pitch.

    2 on the go at once is lots of fun which is how most of mine were done. Ensures you always have a build to work on.

    Good luck and will be keenly watching how things progress.

    Cheers, Waz
    Just after sanding the veneer on the body and I think it's looking pretty good (gradually worked my way up to 400 grit). There's one or two slight bumps in the veneer but I got a clear filler with the stain that should help me smooth out those VERY minor imperfections.

    And yeah, it's not that the neck is high? More that it sits a little lower at the base. I put a 2cm*1cm piece of paper folded twice over at that corner and it lines up perfectly but that affects strings. Will just have to wait and see what works best when it's finished and fully strung =)

    And on the dark stains - I very much appreciate what you're saying. I thought that having the gold and silver tints in the stains might help bring the grain back out in the wood. Adam sent me a pic of a similar bass finish in much the same way and I thought it looked pretty sweet. I'm considering whether to maybe stain the top of the LP a lighter colour. It's looking pretty epic in the almost-white it currently has! =D

    Sanded veneer:-

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    Example of Columbian Gold stain:-

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