Page 1 of 2 1 2 LastLast
Results 1 to 10 of 20

Thread: Gary's first build: JB-5

  1. #1
    Member gstark's Avatar
    Join Date
    Dec 2016
    Location
    Bootiful Downtown Bondi
    Posts
    13

    Gary's first build: JB-5

    Hi all y'all.

    Didn't take long to find my first snag.

    Started to do my mock build. Neck fits the neck pocket nice and snugly. Measured the distance from inside the nut to where the second (closest to the bridge) of the two dots indicating P12 at 420mm which sounds pretty much spot on.

    So, place the pups into position, pick guard, wiring panel ...

    And then I go to place the tailpiece so the the saddle for third sting is at 840mm from the inside of the nut, only to find that the hole for the earth wire is quite a bit further out, beyond the end of the tailpiece.

    So, what have I got wrong here? What am I missing?

    Click image for larger version. 

Name:	20161210_231728_s.jpg 
Views:	167 
Size:	49.4 KB 
ID:	15657

    Click image for larger version. 

Name:	20161210_231908_s.jpg 
Views:	182 
Size:	43.1 KB 
ID:	15658

    Click image for larger version. 

Name:	20161210_231914_s.jpg 
Views:	172 
Size:	43.9 KB 
ID:	15659

  2. #2
    Overlord of Music WeirdBits's Avatar
    Join Date
    Jan 2013
    Posts
    2,731
    You need to measure to the 'crown' or peak of the fretwire of the 12th fret, not the centre of the fret area. I'm guessing that will add about 10-12mm to your half scale and should give about 863-864mm'ish at full scale. As you've got a fretless you need to work from 34" scale using a straight measurement, so convert to mm's and go from there ().

    Edit: Bass bridge placement guide.
    Last edited by WeirdBits; 10-12-2016 at 07:59 PM.
    Scott.

  3. #3
    Member gstark's Avatar
    Join Date
    Dec 2016
    Location
    Bootiful Downtown Bondi
    Posts
    13
    Sorry, Scott, but there's no fretwires; it's a fretless.

    At P12 there's two dots next to one another, along the top of the neck. I'm taking the the dot closer to the body would mark the actual position of where the note's intonation would be - in other words, if there was a fret, this would be its location. That's where my 420mm is.

    But would 864 be closer to full scale on this body/neck combo?

    Thanks.

  4. #4
    Overlord of Music WeirdBits's Avatar
    Join Date
    Jan 2013
    Posts
    2,731
    I was updating my post as you replied, with a fretless you need to work straight from a 34" scale measurement (~863.6mm).

    BTW your side dots will (most likely) be the same as the fretted version of the bass, so they are only showing the rough mid-point of the fret not the scale accurate fret lines and cannot be used for measurement.
    Last edited by WeirdBits; 10-12-2016 at 08:10 PM.
    Scott.

  5. #5
    Member gstark's Avatar
    Join Date
    Dec 2016
    Location
    Bootiful Downtown Bondi
    Posts
    13
    Ok, thanks. Let me see how that flies.

    Er, sits.

  6. #6
    Member ThreeBbass's Avatar
    Join Date
    Jul 2016
    Location
    Baulkham Hills area, Sydney
    Posts
    103
    Quote Originally Posted by WeirdBits View Post
    I was updating my post as you replied, with a fretless you need to work straight from a 34" scale measurement (~863.6mm).

    BTW your side dots will (most likely) be the same as the fretted version of the bass, so they are only showing the rough mid-point of the fret not the scale accurate fret lines and cannot be used for measurement.
    Hi Gary,
    You might need to check the dot placement on the side of the neck. The dots on the fretless neck of the JB5 I recently finished were a bit out. Have a look at the fret calculator on the Stewmac website http://www.stewmac.com/FretCalculator, I found it very useful. It also tells you that, on this style bass the distance between the screw holes in the bridge and the nut should be 35"
    1st Build - JB-5RF (Runner Up GOTM November 16)
    2nd Build - PBA-5 (PBG custom)
    3rd Build - JMA-1 (JazzMaster)
    4th Build - LP-1S
    ... n+1 Build - currently plotting


  7. #7
    Member UpperCaseH's Avatar
    Join Date
    Jun 2016
    Location
    Melbourne
    Posts
    317
    I converted a JBA-4 to fretless. I'm pretty sure it's the same scale length as the JB-5. Obviously I had the luxury of measuring to the fret crown before I removed the frets, but...

    I just measured to between the two 12th fret dots, and yeah, that's 420mm.

    But since I removed the frets and filled the slots instead of starting with a fretless neck, I can measure to where the fret crown was. That's about 431-432mm (and the same from there to the saddle), which is in line with what WeirdBits said with the scale length being 863.3mm.

  8. #8
    Member gstark's Avatar
    Join Date
    Dec 2016
    Location
    Bootiful Downtown Bondi
    Posts
    13
    Gentlepersons, many thanks for that very useful information. It's all being placed somewhere safe.

    So safe, that I will probably never be able to retrieve it again.

    Seriously, great information, especially about the dot placement not being aligned with the actual intonation points. That most certainly is important and relevant data.

    Muchly appreciated.

  9. #9
    Member gstark's Avatar
    Join Date
    Dec 2016
    Location
    Bootiful Downtown Bondi
    Posts
    13
    Sanding time.

    Which means sanding questions time.

    How does everyone do their sanding? Do you use a power sander of some sort, and if so, what type?

    What about sanding the edges of a solid body instrument? How is that done?

    Finally, how about the parts of the body that sit between the routing cavities? The cavity edges have a tendency to eat the sandpaper; how do you deal with that?

    Thanks in advance.

  10. #10
    GAStronomist Simon Barden's Avatar
    Join Date
    Oct 2016
    Location
    Reading, UK
    Posts
    10,547
    I'd avoid power sanders as it's too easy to overdo it and leave marks. If you do, then use a finer grit than you'd use by hand. It's very easy for the grit to get clogged by dust, and a hard accumulation of dust is capable of leaving scratches in the wood - which you then need to sand out etc. So keep checking the sanding pad and clean or change the sandpaper if you start to get a hard build-up of dust in the grit. Power sanders are also especially good at wearing away at edges - like the cavity edges - so go lightly in those areas and preferably sand those by hand.

    So I'd use a padded sanding block + sandpaper for the flat surfaces, and just sandpaper for the curved surfaces (unless you plan to sand the neck when you'd need to buy a concave sanding block with the correct neck radius for your guitar from a luthier supplies company). Just take your time, always go with the grain - or just very slightly across it, and don't press too hard. Lots of light back and forth sanding.

Page 1 of 2 1 2 LastLast

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •